Diana Kitty Annie Maria

AKADarling Dinah Kitty Annie Maria
The Pride of Clerkenwell
First Published1874

Writer/composerGeorge WareRoudRN13666

Music Hall PerformersJH Stead, George Ware
Folk performancesSource Singers
Everett, Hiram; Canada : Nova Scotia; 1948
McAuliffe, Kathleen; Canada : Ontario 1957
Pardon, Walter; England : Norfolk; 1987
From Original Sheet Music

T'was in the month of June, when the birds were in full tune,            
I first met a charming little creature,
Her eyes they shone as bright as the twinkling stars at night,
And a kind smile played on every feature.
I said, my dearest belle, your name to me pray tell,
For you're just about the sort I admire,
She tossed her pretty head as blushingly she said
My name's Diana Kitty Annie Maria.

You should only see her feet, as she trips along the street,
She's just about the sort to admire,
Such a girl is seldom seen, she's the pride of Clerkenwell
Is my darling Diana Kitty Annie Maria.

She's the prettiest little foot, in the prettiest little boot,
And a pretty little ankle, too, believe me;
She's got such a pretty face, and a darling little waist,
And looks like a girl as won't deceive ye.
No Lady in the land has got a prettier hand,
And a pretty fortune left by her sire;
She's a beauty altogether, from her bonnet to boot leather,
Is my darling Diana Kitty Annie Maria.

When take her in the Park,them soldiers they remark,                                                               
"I should like to give that girl a dozen kisses",
Or, "I'd give a full month's pay to take her slick away,
For that must be the pinnacle of blisses".
Them tall soldiers in the Guards they wink so very hard,
And their manly forms most girls admire,         
But their winking games won't do,for she sticks to me like glue,
Does my darling Diana Kitty Annie Maria.

I took her to a ball at the Agricultural Hall,
You should have seen her going through the Lancers,
On the light fantastic toe, we round and round did go,
And we really did astonish all the dancers.
The Polka she can dance like any girl of France,
I had no idea she was such a flier, 
So graceful, light, and airy, like a little flying fairy,
Is my darling Diana Kitty Annie Maria.

Oft I take her to the play, just to pass the time away,
And the Opera, too, when in season
For she sings like any Lark, from daylight until dark,
And I mean to bring her out next season; 
Many singers there may be, who can only sing to G
But she can sing three octaves higher
Believe me, 'tis true, she can sing to double you (W)
Can my darling Diana Kitty Annie Maria.

Single longer I won't tarry, for her I'm going to marry,
To the old parson I've been and given warning,
To make us two in one, like a penny hot-cross bun,
In three weeks from next Monday morning.
With our little family how happy we shall be,
One boy and three girls we require,
For the little boy, you see, shall be christened after me,
And the girls, Diana Kitty and Annie Maria!

A song written and composed by George Ware, better known as a powerful Music Hall agent, and made famous in the halls by JH Stead. The song survives in a handful of broadsides and songbooks, and appears in the repertoire of a small number of traditional singers on both side of the Atlantic.

JH Stead (1827-1868) was a comic singer active in the halls between about 1860 and 1885, often billed as “the man who never stood still”. His most famous song was The Perfect Cure and he was famous for performing it jumping up and down athletically on the spot, with his arms tight to his sides…

The sheet music for Diana Kitty Annie Maria was first published by Charles Sheard in 1864 – even though it is undated, this is a reasonably firm date as there are contemporary adverts and the same date is given in the Musical Bouquet Catalogue:

Daily Telegraph, Nov 3 1864

It was in the repertoire of American vaudeville pioneer Tony Pastor and appears in his Bowery Songster of 1867. He sang it to the tune “Happy Land of Canaan” – I have been promised a copy of the original Sheard sheet music so when I get it I will compare tunes. It would be interesting to see if the recordings made of traditional source singers in Canada use the Music Hall tune, or whether they use the music adopted by Pastor.. I believe that the version recorded by Helen Creighton from the singing of Hiram Everett will shortly becoming available online.

The song was probably designed for regional variation – even if it wasn’t, that’s what happened. A Scottish version from the Poet’s Box has a chorus claiming “Such a girl is seldom seen, she’s the pride of Glasgow Green” with a liaison in West End Park and a ball at the Free Trade Hall. In other versions she came from Camberwell – several others exist.

Sources:

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