AKA | Jessie the belle at the railway bar The Trainman’s Song Courting Jessie |
First Published | 1866 |
Writer/composer | George Ware | Roud | RN3265 |
Music Hall Performers | Annie Adams, Henri Clark, Fred French, George Leybourne, Harry Liston, Mrs FR Phillips, Alfred Vance, George Ware, Mrs George Ware |
Folk performances | Collected from the singing of: Roberts, Samuel; Canada : Newfoundland; 1920 Duvall, Miss Leone; USA : Missouri; 1927 Willis, Charles; Canada : Newfoundland; 1929 Horne, Frank; Canada : Nova Scotia; 1955 Estey, Joseph R.; Canada : New Brunswick; 1960 Clark, LaRena; Canada : Ontario; 1961 Estey, Joseph (Snr.); Canada : New Brunswick; 1961 Burke, Brendan; Ireland : Co. Galway; 1987 |
Lyrics from National Library of Scotland Broadside (verses) and Sheet Music (choruses)* 'Twas at the Brighton station, In pursuit of my vocation, I saw a tall and handsome girl Behind the railway bar; I heard some one call her Jessie Perhaps 'twas Mister Pond, the lessee, And her diamond eyes were twinkling Just like the evening star. I found this pretty dame Made love to all that came, In a quiet sort of way, With her eyes so soft and bright; She had lovers half-a-score, Always some one to adore, From the first train in the morning, Till the last train out at night. [Spoken] Yes, her admirers were ... A tinker and a tailor, and a soldier and a sailor, And a swell that used to talk about his pa and his ma, A butcher and a baker, and a quiet-looking Quaker, All courted pretty Jessie at the railway bar. Now this darling little creature, With a smile on every feature, Was serving all the customers With wine and bitter beer; And this was on a Monday, So I asked her if, on Sunday, She would meet me in the Green Park, When she gave me such a leer. And then she said to me, "Most happy I should be, But I'm sorry to inform you That it's not my Sunday out. One Sunday out of nine Is the only one that's mine," And then she had to leave me Just to serve a glass of stout. [Spoken] Yes, but she never informed me that she had on previous Sundays walked out with .. A tinker and a tailor, and a soldier and a sailor, And a swell that used to talk about his pa and his ma, A butcher and a baker, and a quiet-looking Quaker, Had all been out with Jessie at the railway bar. Well, better late than never, And I thought that I was clever, To get Jessie, dear, to meet me When it was her Sunday out; With my hair curled and anointed, At the time and place appointed, I was there to the minute, And began to look about. And when my Jessie came My heart was in a flame. When I saw her waterfall, And her bonnet trimmed so gay; She politely took my arm I admired her every charm, But judge of my surprise When I heard some urchins say? [Spoken] I say, Bill, if there ain't Jessie along wi' another chap; why, I've seen her with... A tinker and a tailor, and a soldier and a sailor, And a swell that used to talk about his pa and his ma, A butcher and a baker, and a quiet-looking Quaker, And I've seen her serving beer out at the railway bar. Now, my confidence was shaken But I thought the boys mistaken, And my modesty would not permit To ask if it was true. I proposed and she accepted, In a manner unaffected, The tears she shed completely hid From me her eyes so blue. Then I sent her a wedding dress. Fit for an Empress, And saw the porter give it her While serving at the bar; But on our wedding day Miss Jessie ran away, And got married to a man that sold The Standard and the Star. [Spoken] Yes, and the only consolation I had was, she had taken in, besides myself... A tinker and a tailor, and a soldier and a sailor, And a swell that used to talk about his pa and his ma, A butcher and a baker, and a quiet-looking Quaker, Were taken in by Jessie at the railway bar.
*Street literature versions often suggest that the first chorus is used unchanged throughout, but the American sheet music has a varying chorus as given here. My instinct is that the version with the changing chorus is likely to be earlier, but if you decide to sing it, the choice is of course yours!
Sung by a dizzying number of Music Hall performers, Jessie the Belle regularly featured in the adverts for Sheard publishers in 1866-68. Unlike their other most popular songs, this one was not advertised as being sung by a particular star, instead it was advertised as being performed by “everybody” or “all”. The version I have produced here starts at Brighton station, others start at Moorgate, Harlem or even a generic “railway” or “railroad station”.
Not to be confused with Harry Clifton’s The Railway Belle (V20273) which has similar themes but sees the object of affection running off with a railway guard. It’s been suggested these songs reflect a growing uneasiness about the greater independence of women in this period.
Reports of amateur performances in local newspapers suggest that it may have been popular for a short while in the late 1860s and then again in the early 1890s, but this may reflect gaps in the record. The song was widely printed in cheap 19th-century street literature (broadsheets and songsters) on both sides of the Atlantic. It has been widely collected from traditional singers, particularly in North America, although there is evidence that it has been popular in England, Ireland and Scotland.
Here is Joseph R. Estey of Sevogle, New Brunswick singing it (as collected by Helen Creighton in 1960):
Sources:
- Entries in the Roud Indexes at the Vaughn Williams Memorial Library: https://archives.vwml.org/search/all:single[folksong-broadside-books]/0_50/all/score_desc/extended-roudNo_tr%3A3265
- Kilgarrif Sing Us
- Lyrics: National Library of Scotland
- Image: National Portrait Gallery
- US Sheet Music: Levy Sheet Music Collection
- Fresno Ballad Index
- Gale Primary Sources and Welsh Newspapers Online
Last Updated on August 19, 2021 by John Baxter | Published: August 19, 2021