Christmas Day in the Workhouse

AKA In the Workhouse: Christmas Day
First Published 1877
Writer/composer George R Sims Roud RN10181

Music Hall Performers Arthur Wieland and many others (recited)
Folk performances Collected from:
Smith, Bill ; England : Shropshire ; nd
Dunn, Ernie; England : West Midlands ; 1971
unknown male ; England : Worcestershire ; 1950s?

IN THE WORKHOUSE: CHRISTMAS DAY. 

It is Christmas Day in the Workhouse,
And the cold bare walls are bright
With garlands of green and holly,
And the place is a pleasant sight;
For with clean-washed hands and faces,
In a long and hungry line
The paupers sit at the tables,
For this is the hour they dine.

And the guardians and their ladies.
Although the wind is east.
Have come in their furs and wrappers,
To watch their charges feast;
To smile and be condescending,
Put pudding on pauper plates,
To be hosts at the workhouse banquet
They've paid for — with the rates.

Oh, the paupers are meek and lowly
With their "Thank 'ee kindly, mum's";
So long as they fill their stomachs,
What matter it whence it comes ?
But one of the old men mutters,
And pushes his plate aside :
"Great God!" he cries; "but it chokes me!
For this is the day she died."

The guardians gazed in horror,
The master's face went white;
"Did a pauper refuse their pudding?"
Then the ladies clutched their husbands
Thinking the man would die.
Struck by a bolt, or something,
By the outraged One on high.

But the pauper sat for a moment,
Then rose 'mid a silence grim,
For the others had ceased to chatter
And trembled in every limb.
He looked at the guardians' ladies,
Then, eyeing their lords, he said,
"I eat not the food of villains
Whose hands are foul and red:

"Whose victims cry for vengeance
From their dank, unhallowed graves."
"He's drunk!" said the workhouse master,
"Or else he 's mad, and raves."
"Not drunk or mad," cried the pauper,
"But only a hunted beast.
Who, torn by the hounds and mangled.
Declines the vulture's feast

"I care not a curse for the guardians,
And I won't be dragged away.
Just let me have the fit out.
It's only on Christmas Day
That the black past comes to goad me.
And prey on my burning brain;
I'll tell you the rest in a whisper, —
I swear I won't shout again.

"Keep your hands off me, curse you!
Hear me right out to the end.
You came here to see how paupers
The season of Christmas spend.
You came here to watch us feeding,
As they watch the captured beast.
Hear why a penniless pauper
Spits on your paltry feast.

"Do you think I will take your bounty,
And let you smile and think
You're doing a noble action
With the parish's meat and drink?
Where is my wife, you traitors —
The poor old wife you slew?
Yes, by the God above us,
My Nance was killed by you!

"Last winter my wife lay dying.
Starved in a filthy den ;
I had never been to the parish,—
I came to the parish then.
I swallowed my pride in coming,
For, ere the ruin came,
I held up my head as a trader,
And I bore a spotless name.

I came to the parish, craving
Bread for a starving wife,
Bread for the woman who 'd loved me
Through fifty years of life;
And what do you think they told me,
Mocking my awful grief?
That 'the House' was open to us,
But they wouldn't give 'out relief'

"I slunk to the filthy alley -
'Twas a cold, raw Christmas eve —
And the bakers' shops were open,
Tempting a man to thieve;
But I clenched my fists together,
Holding my head awry,
So I come to her empty-handed.
And mournfully told her why.

"Then I told her 'the House' was open;
She had heard of the ways of that,
For her bloodless cheeks went crimson,
And up in her rags she sat,
Crying, 'Bide the Christmas here, John,
We've never had one apart;
I think I can bear the hunger, —
The other would break my heart.'

"All through that eve I watched her.
Holding her hand in mine.
Praying the Lord, and weeping
Till my lips were salt as brine.
I asked her once if she hungered,
And as she answered 'No'
The moon shone in at the window
Set in a wreath of snow.

"Then the room was bathed in glory,
And I saw in my darling's eyes
The far-away look of wonder
That comes when the spirit flies;
And her lips were parched and parted,
And her reason came and went,
For she raved of our home in Devon,
Where our happiest years were spent.

"And the accents, long forgotten,
Came back to the tongue once more.
For she talked like the country lassie
I woo'd by the Devon shore.
Then she rose to her feet and trembled,
And fell on the rags and moaned,
And, 'Give me a crust — I 'm famished —
For the love of God !' she groaned.

"I rushed from the room like a madman.
And flew to the workhouse gate,
Crying, 'Food for a dying woman!'
And the answer came, 'Too late.'
They drove me away with curses;
Then I fought with a dog in the street.
And tore from the mongrel's clutches
A crust he was trying to eat.

"Back, through the filthy by-lanes!
Back, through the trampled slush!
Up to the crazy garret.
Wrapped in an awful hush.
My heart sank down at the threshold.
And I paused with a sudden thrill,
For there in the silv'ry moonlight
My Nance lay, cold and still.

"Up to the blackened ceiling
The sunken eyes were cast —
I knew on those lips all bloodless
My name had been the last;
She'd called for her absent husband —
O God! had I but known! —
Had called in vain, and in anguish
Had died in that den — alone.

"Yes, there, in a land of plenty,
Lay a loving woman dead.
Cruelly starved and murdered
For a loaf of the parish bread.
At yonder gate, last Christmas,
I craved for a human life.
You, who would feast us paupers.
What of my murdered wife!

"There, get ye gone to your dinners;
Don't mind me in the least;
Think of the happy paupers
Eating your Christmas feast;
And when you recount their blessings
In your smug parochial way,
Say what you did for me, too,
Only last Christmas Day."

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This website is mostly about Music Hall songs but will occasionally cover dramatic monologues like this one, first published in the sports and entertainment newspaper, The Referee in December 1877. It was credited to “Dagonet” – the pen-name of campaigning journalist George R Sims . It was initially called In the workhouse: Christmas Day but very quickly became better known by part of its first line: Christmas Day in the Workhouse. (The Referee, 23 Dec 1877)

Its initial success my have in part been due its adoption by Arthur Wieland, whose powerful recitation of the poem was described as “thrilling in its awful truthfulness”, it was said that “the audience were held spellbound by the dramatic force with which be described the death of poor starving woman.” ( Islington Gazette, 15 Nov 1878; East End News and London Shipping Chronicle, 13 Dec 1878)

In 1878 Wieland (?-1907) was an established dramatic reciter. According to one obituary, he was an elocutionist of considerable ability, and his appearance on public entertainment platforms was always heartily welcomed. He adopted reciting as a profession when he was fifteen and as far back as 35 years ago he used to appear at elocutionary entertainments in various parts of Essex. His recitals were always of a refined character (Essex Times – 08 Jun 1907)

The poem was rapidly adopted by other performers, both amateur and professional, and appeared widely in recitation collections. Inevitably it formed the basis of a seemingly endless series of parodies, the earliest for which I can find evidence was in 1883, A Nice Mess Day in the Borough, performed and written by a Mr Ralph Calton at a Sunday Evening Recital in Lambeth (South London Press – 16 Jun 1883) There were many others, including:

  • Christmas Day in the Beer House (1880s)
  • Christmas Day in the Workhouse (Weston and Lee)
  • Christmas day in the Workhouse (bawdy army song) in Bawdy barrack-room ballads and elsewhere
  • Christmas Day in the Cookhouse (Billy Bennett)

Sources: