Oh! Marigold
AKA | The Flower Song |
First Published | 1873 |
Lyrics | JB Geoghegan | Music | JB Geoghegan | Roud | 21934 |
Music Hall Performers | Arthur Lloyd |
Folk performances | Source Singers unknown singer, 1910, Northants, England |
Tho' I'm a blighted Trumpet-flower, A Bulrush bending low, Forget-me-not my Pippins, When my Rose shall cease to blow; Miss Marigold, a Dragon-plant, With cheeks Carnation red, Threw Ox-eyes at my Heart's-ease, And turned my Poppy-head. Oh! Marigold, Marigold, Marigold, Fair as the Snowdrop, with eyes like sloes; She's my Daffodilly and my Lilac and my Lily, She's my buttercup, my daisy, and my wild, white rose. No Holly-hock more stately was, No Sunflower half so gay, And she was sweet as Honeysuckle, Clover-tops or May. She caught me in her Fly-trap, As the Lupin does the bee, And made me her Fool's-parsley, For I loved her like Sweet-pea. She was my Pink and Picotee, My Myrtle, Moss and Mint; My Laurel, Lime and Lemon-tree, My Liver-wort and Lint. Tho' cold as Ice-plants was my Peach, No Nettle stung like she, For oh! she kept her Cuckoo-plant, From Mandrakes such as me. When I offered her my Tulips, She became a Passion-flower; No Deadly-nightshade looked more dark, No Sorrel half so sour. She said, Hop off you Hellebore, You Hemlock, Hemp and Rue; No Toadstool turns Hysopp, More than Savin, Sage or Yew. I'm turning pale as Parsnips, For my sweet Blue-bell I Pine; But she's fairly cut my Cocks-comb, For I've lost my Columbine. A Scarlet-runner flung his tendrils Round my Sprig of Myrrh, And now she lies in Lavender, While I'm a Bursting-burr. I feel as small as Brussel-sprouts, And useless as chickweed; I'm like a faded cauliflower, Or Pumpkin all in seed. My Jasmine turned a Upas-tree, The Ivy left the Oak; She Cabbaged all my Lad's-love, And I've got a (He)artichoke.
This JB Geoghegan song was collected from an unknown source singer in the early 20th century in Northamptonshire. I’m not aware of it cropping up elsewhere …
 Arthur Lloyd (1839-1904) was one of the star comedians of the last 40 years of the 19th century. He has been acclaimed as the first of the “Lion Comiques” and by the end of his career was billing himself as The Last of the Lion Comiques. These were the generation of Music Hall stars who caricatured the upper class “swells”, caricatures which would eventually evolve into both PG Woodhouse’s Bertie Wooster, and Charlie Chaplin’s tramp (but that’s another story).
Lloyd did not share the working class background of many of the other stars of the Halls: his mother was an opera singer, and his father was a a comedian an actor who tried to persuade his son not to opt for a career in Music Hall… There is an excellent website about Arthur Lloyd and Music Hall, compiled by his grandson, you will find a much fuller version of his story there.
.Sources: