AKA | Half past nine My wedding day Next Monday morning is my wedding day |
First Published | 1921 |
Writer/composer | Charles Collins | Roud | RN30005 |
Music Hall Performers | Nellie Wallace |
Folk performances | Collected from the singing of: Lane, Ernie ; England : Gloucestershire : 1993 |
From monologues.co.uk via the Internet Archive: I'm longing for next Monday 'cos I'm going to tie the knot With little Georgie Puddingy-Pie, a nice young man I've got And when the parson says the word that makes two into one I want you all to just come round and join us in the fun. For next Monday morning is my wedding day When the Supper's over if the company wants to stay Me and my Georgie we shall decline We're going to blow the candles out at half past nine. Now when we get back from the church, and the friends have all been in And wished us joy and happiness in little drops of gin - hic - Oh dear We want to both be on our own, I think it's only fair You may be sure that we don't want a lot of people there. Now after we've had supper, I shall soon shut up the show I will cut them all a slice of cake, and tell 'em all to go And when I take the Vee of orange blossoms off me head I shall tell them all it's time that we, were fast asleep in bed.
A song from the 1920s with words and music by Charles Collins., performed by Nellie Wallace whose brief biography appears below. It featured in the repertoire of Ernie Lane, a traditional singer from Gloucestershire. Not to be confused with Half past nine, a hit in the early 1890s …
Nellie Wallace (1870-1948) was often described as “the greatest grotesque comedienne of the halls”. She was born to a family of Music Hall performers and toured with her sisters as a child entertainer in the 1880s. As an adult she played in “provincial” halls for many years without enjoying any great success. Eventually the years of hard slog paid off and she enjoyed great success after her London debut in 1903. Wallace used make-up and costume to exaggerate her “grotesque” appearance and she drew comedy from self-deprecating material in which she could not understand her inability to “attract a man”. She collapsed and died in 1948 after singing A boy’s best friend is his mother at the London Palladium. Her curtain speech gives a taste of her risque humour:
A man may kiss a maid goodbye,
The sun may kiss a butterfly,
The morning dew may kiss the grass,
And you my friends… farewell.
Sources:
- Entries in the Roud Indexes at the Vaughn Williams Memorial Library: https://archives.vwml.org/search/all:single[folksong-broadside-books]/0_50/all/score_desc/extended-roudNo_tr%3A30005
- Kilgarrif Sing Us
- Lyrics: monologues.co.uk via archive.com
- Sheet Music: Worldcat entry
- Picture: Nellie Wallace by Unknown photographer, 1900s, copyright National Portrait Gallery, London
- Terry Hallet (1997) “Theatre of the vulgar” The Stage, 03 July 1997, p11
- Sam Beale (2020) The Comedy and Legacy of Music Hall Women:1880 to 1920 p244-248
Last Updated on November 22, 2024 by John Baxter | Published: December 13, 2023