AKA | Lanigans Ball Lannegan’s Ball Jimmie Lanigan Flanagan’s Ball |
First Published | 1863 |
Lyrics | DK Gavan | Music | John Candy? | Roud | RN3011 |
Music Hall Performers | Harry Clifton |
Folk performances | Source Singers Berthold Chickering, nd, Michigan USA George Piper, ca. 1869, ‘Europa’ ship, USA Bateese Lapensier, 1885, Ontario Canada Annie Ritchie, 1906, Scotland Alexander Robb, 1906, Scotland Patrick Halley, 1937/38, Co Waterford Ireland Warde Ford, 1939, California USA James Kneeland, 1941, Maine USA Lena Bourne Fish, 1943, New Hampshire, USA Michael Barden, 1947, Massachusetts USA Bernard Young, 1951, Nova Scotia Canada Elizabeth Cronin, 1954, Cork Ireland Angelo Dornan, 1955, New Brunswick Canada Eddie Butcher, 1968, Derry, Northern Ireland Robin Hutchinson,1960s-80s, Scotland Ulrick McDonald, ,1960s-80s, Co Galway Ireland Modern performances Christy Moore and many others |
In the town of Athy one Jeremy Lannigan Battered away ’till he hadn’t a pound His father died and made him a man again Left him a farm and ten acres of ground He gave a grand party for friends and relations Who hadn’t forgot him when sent to the wall If you just listen, I’ll make your eyes glisten At the rows and the ructions of Lannigan’s Ball Myself, to be sure, got free invitations For all the nice boys and girls I’d ask; In less than a minute, the friends and relations Were dancing as merry as bees round a cask MIss O'Hara the nice little milliner, Tipp'd me the wink to give her a call, And soon we arrived with Timothy Gleigan Just in time for Lannigan's Ball. There was lashings of punch, and wine for the ladies Potatoes and cakes and bacon and tea There were Nolans and Doolans and all the O’Gradys Courtin’ the girls and dancin’ away. Songs they were as plenty as water, From the "Harp that once thro' Tara's ould Hall," To sweet "Nelly Gray" and "The Ratcatcher's Daughter" All singing together at Lannigan's Ball They were doing all sorts of nonsensical polkas All round the room in a neat whirligig But Julia and I soon banished their nonsense And tipp'd them the twist of a real Irish jig. Och mavrone! ‘twas she that was glad o’ me, And danced ’till you'd think the ceilin’ would fall For I spent three weeks at Burke’s Acadamy Learning to dance for Lannigan’s Ball The boys were all merry, the girls were all hearty Dancin’ away in couples and groups Till an accident happened, young Terence Macarthy He put right leg on Miss Flaherty's hoops. The creature, she fainted and roared “Millia Murther” Called for her friends and gathered them all, Ned Carmody swore he’d go no further But have satisfaction at Lannigan’s Ball In the midst of the row, Miss Kerraigan fainted Her cheeks all the while being red as the rose Some of the ladies declared she was painted She took a small drop too much I suppose Her sweetheart, Ned Morgan, so powerful and able When he saw his fair colleen stretched by the wall He tore the left leg from under the table And smashed all the chaney at Lannigan’s Ball Oh boys, there was the ruction Myself got a lick from big Phelim McHugh But I soon replied to this kind introduction And kick'd up a terrible Phillabaloo Ould Casey, the piper, was near being strangled, They squeez'd up his pipes, bellows, chanters and all The girls in their ribbons, they got all entangled And that put an end to Lannigan’s Ball
This song was 1st made popular by Harry Clifton, and probably dates from the time he spent touring in Ireland in the years 1855 to 1861. It was later published by Clifton’s regular publishers Hopwood and Crew, while the sheet music is unfortunately undated, the publishers first advertised it in 1863. The sheet music gives credit as follows: by D.K. Cavan, the Galway poet ; [arranged by] John Candy ; [sung by] Harry Clifton. The American sheet music published in 1863 claims that Tony Pastor wrote the lyrics, but I wouldn’t take that too seriously, as Pastor was in the habit of claiming the authorship of most of the hundreds of songs that he imported from the Music Halls of Britain.
There was some confusion in Britain about the authorship of the song at the time, which may be related to the claims that were often made that Clifton wrote all his own material. Clifton cleared up the confusion with this announcement he made in The Era, the Music Hall trade newspaper in 1863. [I think that The Era is correct and the spelling of the author is almost certainly Gavan not Cavan].
DK Gavan “The Galway poet” is a bit of a mystery. [more to come]
The music may have been borrowed from an older source, and may be related to a tune called Hurry the Jug. In any case the tune is often used in Irish dance music and has been recorded under various other titles including The Bullockies’ Ball, Domhnull An Dannsair, Domhull An Dannsair, Paddy O’Rafferty, Unplugged And Plowed. The complex story of the tune is summarised in the Traditional Tune Archive entry given in the sources.
Its a song which is hugely popular in the Irish tradition, and has been collected from source singers all over the English-speaking world.
Sources:
- Entries in the Roud Indexes at the Vaughn Williams Memorial Library: https://archives.vwml.org/search/all:single[folksong-broadside-books]/0_50/all/score_desc/extended-roudNo_tr%3A3011
- Kilgarrif Sing Us
- 1863 American Sheet Music
- The session
- Lyrics: Ballads Online
- Worldcat entry for Hopwood and Crew sheet music
- Traditional Tune Archive
Christy Moore sings a version with a chorus
Last Updated on August 26, 2023 by John Baxter | Published: July 1, 2020